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Paper format instructions | What is an A paper?
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HC 222 -- Making Modern Literature, Winter '16small logo

Course description Bruno Latour writes, “We have never been modern.” What does the word modern mean? What does the word literature mean? We will interrogate the words “modern" and "literature" quite closely. We will also consider the generic constraints affecting poetic, prose, and dramatic (stage and screen) representations of modernity. What makes modernity interesting? Compelling? Accurate? Meaningful? Truthful? Real? Readings: the novel Princess of Cleves (1678) by Madame de Lafayette (originally published anonymously), which re-imagines the court of Henry II of France in the mid-sixteenth century; Charles Dickens' A Tale of Two Cities (1859), his novel based on Carlyle's The French Revolution; Virginia Woolf's Orlando (1928), providing (among other things) a history of English letters from the reign of Queen Elizabeth to the 1920s; the play Arcadia by Tom Stoppard, a re-imagination of the life of Lord Byron layered with his (fictional) modern biographers; Michael Frayn's play Copenhagen, which re-imagines the meeting between Nils Bohr and Werner Heisenberg in 1940's Denmark; and The God of Small Things by Arundhati Roy, set during the Naxalite political movement in 1960s Kerala, the most southern state in India and the only state in the world with a freely-elected Communist government. Work for the term includes response papers, article summaries and responses, graded formal papers, class presentations, and a final exam. Opportunities include some film viewing.

Texts

Texts for the course have been ordered at the Duck Store. Do check for the correct edition.

Requirements

  • Response papers You'll write three response papers this term of approximately 500 words each. These papers, and the formal papers, will be thematically as well as textually-oriented. These are formal papers in the sense that spelling, grammar, and thinking count--all papers must be neat, typed, revised, finished, and proofread. At the same time, these are papers in which to try out ideas, to experiment and challenge yourself intellectually. I will read these papers, comment on them, and grade them pass/no pass. A passing paper requires a strong thesis, cogent evidence, and grammatical accuracy (natch). No-pass response papers may be rewritten and handed back to me within a week. Three passing papers will count as a 4.0, two as a 2.0, one paper as a 1.0.
  • Article summary and response. You are required to summarize and comment on three critical articles (also called "essays"; please note that ALL critical articles/essays will be available for you to read). The required summary will result from collaboration among those treating each article (at least two students).The first sentence of the summary will be the thesis of the article. The summary should be at least 5 or 6 sentences long (about a paragraph); longer is acceptable. Following the summary, the group will respond to the article in a second paragraph: how did reading the article enrich understanding of the text? How did it shift the members' ideas about literary criticism or literature? The third part will be the group's further questions about the text, prompted by the essay.  Each group will choose an amanuensis -- and official "scribe" -- who will post the summary on Canvas for the entire class to read. I'll grade these article summaries and responses. See the schedule for article summary and response due dates.
  • Graded formal papers. Two essays of approximately 1500 words each. Each essay will treat a course theme and may use observations originally explored in response (and/or article summary) papers. Paper 1, which will treat The Princess of Cleves and/or Tale of Two Cities, is due Wednesday, January 27. Paper 2, which can treat any of our other texts, is due Monday, March 8. Note paper due dates: papers must be turned in on the date specified. Plan ahead.
  • Final exam. Cumulative, essay, take-home exam due no later than Friday, March 18, at 12:15 pm

Opportunities

  • Two filmed versions of our texts: Orlando, scheduled for Monday, February 1, at 6:00 pm in Global Scholars Hall, and Copenhagen, on Monday, February 22, at 6:00 pm in Global Scholars Hall.

Grading

The response papers constitute 15% of your grade; the two formal papers, 25% each; the article summaries, 15%; participation, 5%, and the final exam will constitute 15% of your grade. Please note the University's "grade point value" system effective 9/90, as I will be using this system (unless otherwise noted):

A+ = 4.3

B+ = 3.3

C+ = 2.3

D+ = 1.3

A = 4.0

B = 3.0

C = 2.0

D = 1.0

A- = 3.7

B- = 2.7

C- = 1.7

D- = 0.7

Note that a grade of "C" is, according to academic regulations, "satisfactory," while a "B" is "good." That means that a "B" is better than average, better than satisfactory, better than adequate. The average grade, then, is a "C"; a grade of "B" requires effort and accomplishment.

WEEK 1

Monday, January 4 
Course intro: modern, history, literature

Read Virginia Woolf's father, Leslie Stephen, on English literature in the eighteenth century, on Canvas site.  How does Stephen, writing in 1904 at the beginning of the last century, characterize the work of literature?  Find five of HIS words which for you signal his attitude.

Wednesday, January 6
Princess of Cleves, Parts 1 and 2, pp. 3-56: "If you judge from appearances. . . " (page 19)

Study guide and link to French film version on Canvas site.

WEEK 2

Monday, January 11 
Response paper

Princess of Cleves, Parts 3 and 4, pp. 56-108 -- sexual and other politics -- and "Editor's afterword," pp. 109-117, on "history"

Wednesday, January 13 
Article summaries and responses

Princess of Cleves articles, available in our Norton version of the text: Kaps (pp. 164-78), Kamuf (pp. 206-230), Gregorio (pp. 269-283)

WEEK 3

Monday January 18

Martin Luther King day -- no class

READ TALE OF TWO CITIES

Essays and links available on Canvas site

Wednesday, January 20
Tale of Two Cities, Introduction and the first and second books: "better to be a rational creature and accept your destiny"

WEEK 4

Monday, January 25
Tale of Two Cities, third book: "tis a far, far better thing. . ."

Wednesday, January 27
First formal paper
History: read Appendix III in our text 

WEEK 5 Orlando film on Monday, Feb 1, 6 pm, Global Scholars Hall

Monday, February 1
Orlando
, chapters 1-2 (pp. 13-118): modernity visits the early modern; biography, literature, and transformation (melancholy, pp 72-77; Sasha, Nick Greene; poetry; biography; p.90: Glawr; p. 98: Time; p. 99: Love, friendship, truth; p.113: “The Oak Tree, A Poem”)

Wednesday, February 3 Article summaries and responses
Orlando
, chapters 3 and 4 (pp. 119-226): Truth, candor, honesty, and the 18th century: p. 134, transformation; p. 153, "gipsy women differ very little from gipsy men"; the Archduke; p. 188: clothes; the eighteenth century

WEEK 6

Monday, February 8 
Response paper

Orlando, chapters 5 and 6 (pp. 227-329), the miasma of the nineteenth century; the commercial modern (cf p. 295)

Wednesday, February 10
Orlando articles: Smith on missing goods, deGay on historiography, Gonzalez on parody of gender

WEEK 7

Monday, February 15

Arcadia
, Act 1: carnal embrace; literature, history, Romanticism, postmodernity

Powerpoint show on Canvas presents opening remarks

Wednesday, February 17 Article summaries and responses
Arcadia: Act 2: the attraction that Newton left out; articles on Canvas include "Dance and time," "Playing with time," "Chaos theory," and "Science on the stage"

WEEK 8
Copenhagen film on Monday, Feb 22, 6 pm, Global Scholars Hall

Monday, February 22
Copenhagen, Act 1, Skiing and uncertainty

Read Heisenberg's own account in Physics and Beyond and the history of quantum from Scientific American (on Canvas)

Wednesday, February 24
Article summaries and responses
Copenhagen: Act 2
The deaths of thousands

Articles include "Uncertainty principle"; "the Byronic hero"; "Memory play as history", all on Canvas along with a handout on repeated motifs


WEEK 9

Monday, February 29
Response paper

God of Small Things, pp. 1-89 The Ayemenem house

Political action in Kerala show in Canvas

See the study questions and links to other introductory materials

Wednesday, March 2

Article summaries and responses

Articles: Lost mother, Trauma and temporality, Betrayal and loyalty

God of Small Things, pp. 90-177 Things can change in a day

Read the precis of Said's Orientalism on Canvas

WEEK 10

Monday, March 7
Second formal paper

God of Small Things pp. 178-309
Time


Wednesday, March 9
God of Small Things, pp. 310-321: comfort